This tutorial is a great intro to 360 virtual production. It’s ideal for musicians or performers who want to add themselves into a virtual performance space. You don’t need a 360 camera, and no plugins are required for the basic
Archive For: After Effects
Charles Yeager (yeagerfilm.com) shows how to create a Droste Effect Space Loop in After Effects, with FLUX and Mantra V2. FLUX lets you generate atmospheric/volumetric effects, that bring this to a next level animation. Mantra V2 > Escher
Charles Yeager shows how to create a reveal animation with spheres using FreeForm Pro in After Effects. The animated spheres are easily created with Mettle Mantra V2 and CC Sphere, also in After Effects.
Download the free project file and
Join us Live with Award-winning creator Jonathan Winbush, founder of Winbush Immersive. We ask him the questions you want to know, on virtual production, the immersive pipeline, and how he got started doing his tutorials. We look forward to seeing
SPACED OUT was the most talked about immersive experience in the New Frontier Program at Sundance Film Festival 2020. The Verge called it “the most unusual experience at Sundance 2020”. No Film School reviewed it as one of the innovations
Bring your 2D logo to life by transforming it into a 3D object that becomes an AR experience. Jonathan Winbush shows you how using After Effects, Mantra Version 2.0 and Adobe Aero.
New features coming soon in Mantra V2 make
New features in Mantra 2.0 will give content creators the tools to quickly and easily create AR assets, and export them in formats supported by AR players; USDZ (iOS) and glTF (WIN).
Jonathan Winbush shows how easy it is to
Learn how to add mood and texture to your footage using Mettle FLUX. In this tutorial, Charles Yeager shows how to camera track your scene in After Effects, and then add a FLUX “Volume” to match the camera movement.
Charles Yeager (yeagerfilm.com) shows how to create double exposure displacement mapping effects with FreeForm Pro, as seen in True Detective Main Title sequence Seasons One and Three. Learn how to create different looks, based on clever techniques and
THE INTERPRETATION OF DREAMS is a four-part VR episodic series that immerses viewers in visually luxurious and psychologically complex dreamscapes based on Freud’s original case studies. The series is supported and distributed by Samsung VR as part of “VR
In Part 2 of the series we see how to bring 3D assets into Adobe After Effects to build our scene. This includes the 360° stereoscopic background loop made in Cinema 4D. (Watch Part 1 to see how that’s
Kiwi singer and producer VILLETTE teamed up with longtime partner Red Bull Music to release a 360 VR music video for her forthcoming single ‘Money’.
The video for Money lets viewers experience the singer’s personal and inspiring world through taking
Learn how to create a gas planet Nebula in After Effects using Mettle FLUX and CC Sphere. Charles Yeager (yeagerfilm.com) walks us through the process, and provides a free project file, which can be downloaded from the link
Charles Yeager (www. yeagerfilm.com) shows us how to create seamless planet textures with Mantra VR, CC Sphere, and the built-in Immersive features in After Effects CC 2018. He goes over the basic technique, which can be used to
Adding a Dolly in Post is a powerful storytelling technique for filmmakers, helping to draw the viewer’s attention and to create movement on a static shot. Now, thanks to the Mettle Mantra VR, this powerful effect can be easily
Mettle SkyBox Plugins are part of CC 2018
As of October 18, 2017,
Rose Colored is a haunting VR short film that was scripted specifically for the 360 medium. It successfully engages the viewer in a futuristic story where the world is auto-corrected through technology. Writer/director Adam Cosco uses cuts, POV shots, tracks,
First year students at Beckmans College of Design in Sweden were briefed on a 360° film class project – to visualize a dream with a clear beginning and end. Teacher Gustaf Von Arbin wanted to make sure that his students
Charles Yeager (www.yeagerfilms.com) explains the workflow necessary to collaborate with other artists on 360/VR post-production, with artists who don’t necessarily have 360 experience. He shows how to outsource parts of your 360 production, like titling and graphics, using