Rose Colored is a haunting VR short film that was scripted specifically for the 360 medium. It successfully engages the viewer in a futuristic story where the world is auto-corrected through technology. Writer/director Adam Cosco uses cuts, POV shots, tracks,
Chuck Joiner of Mac Voices interviews Chris Bobotis at NAB 2017 in Las Vegas. Chris, the Co-Founder of Mettle, brings us up-to-date by discussing the partnership with Facebook to bring their technology to 360-degree video on the platform. Depth of
Forrest Brennan, working with 360 Labs, was experienced in video production, but was a novice scuba diver when he travelled to the coast of Jordan for an underwater 360 shoot in the Red Sea. As an American travelling to the
We’re pleased to announce a free update to SkyBox 360/VR Transitions. We’ve added a new feature to “Gradient Wipe”. Now you can apply a 360 video to your gradient wipe transition. Check out the video below, where we have
GoPro approached Light Sail VR and asked if they were interested in creating a totally original 360/VR short film for GoPro’s Facebook channel. Of course they were! Light Sail VR is a live-action virtual reality production company, so this project
“SkyBox 360/VR Transitions” introduces seamless 360 transitions into Adobe Premiere Pro. It’s a pack of 4 separate Transitions: Mobius Zoom, Random Blocks, Gradient Wipe and Iris Wipe. Each transition has multiple features to customize and create an endless variety,
Tate Modern contacted Happy Finish to create a unique 360ºVR film that transports viewers into the universe of the renowned trailblazer artist, Georgia O’Keeffe, to promote the exciting new Tate Modern exhibition. The video has become The Tate’s most-viewed
JETLAG is a VR Short Film that has won several awards, including Best Live-Action VR film at the Kaleidoscope Festival, and was included at Cannes 2016 as part Cannes VR Days. For Writer/Director Pierre Friquet, VR is simply
Nick Bicanic, Director and Founder of RVLVR, describes his approach to storytelling in 360 Video. He goes through the implications on directing and editing and distribution – and the requirement for a director in VR to be far more
