FreeForm Pro V1.75 Overview
Charles Yeager walks us through the main features of FreeForm Pro: Mesh Warp, Displacement Mapping, and Primitives. Free project file: mettle.com/freeform-pro-v1-75-overview/
Tutorial: True Detective Look
Charles Yeager (yeagerfilm.com) shows how to create double exposure displacement mapping effects with FreeForm Pro.
Free project file: https://www.mettle.com/tutorial-true-detective-look-freeform-pro/
360° Night Landscape and Sky
This is a sequel to "Create a 360° Terrain Landscape Animation". Learn how to create a night version and use FLUX to create a dramatic sky. Terrain created with FreeForm Pro and GEOLayers 2 in Adobe After Effects CC 2019. Host: Charles Yeager.
Create a 360° Terrain Landscape Animation
Learn how to create a 360° animation using the built in VR tools in Adobe After Effects CC 2019 (formerly SkyBox). With GEOlayers 2 and FreeForm Pro. Host: Charles Yeager.
Create 360/VR Landscapes in After Effects | GEOLayers 2 + FreeForm Pro + SkyBox
Charles Yeager shows how to use GEOLayers 2 with SkyBox tools to create 360 videos. This tutorial works with SkyBox Studio V2, and the integrated version in CC 2018.
How to Make a 360 Video With a 2D Photo | FreeForm Pro + SkyBox
Charbel Koussaifi shows how to take a single 2D photo, and turn it into a 3D animation with FreeForm Pro, and then take take it into 360 , all in After Effects. This tutorial works with SkyBox Studio V2, and the integrated version in CC 2018.
FreeForm Pro - The Ultimate Guide
Chris Lavelle walks us through the features of FreeForm Pro. He explains every feature in detail, step-by-step. An extremely thorough video manual that can be used as an introduction to FreeForm Pro, or as a reference guide on specific features.
Create a Liquid Metal Logo in After Effects
Featured in 3D Artist Magazine. Chris McFall leads us through this amazing tutorial on how to create a liquid mercury logo animation all within After Effects. He uses FreeForm Pro, along with some clever tips and techniques.
Dent A Garage Door VFX
Effects artist Mike Sevigny shows us how to displace a plane in 3D space in Ae, making it look like a garage door is being deformed and dented. The process starts by using After Effects’ 3D camera tracker to track the live action shot.
Captain America: Part 1
Eran Stern (Sternfx.com) creates the Captain America shield and text, all in After Effects. He uses FreeForm Pro, ShapeShifter AE, RGS, Magic Bullet + Trapcode Suite Products
Watch Tutorial Part 1
Download Free Project File
Captain America: Part 2
Harry Frank of Red Giant TV shares techniques on how to integrate a 3D render into your motion graphics work. He also finishes the job with effects and color correction.
Watch Tutorial Part 2
Download Free Project File
Lizard Man Part 2
Transform a human into a Lizard Man in After Effects, with Imagineer Systems Mocha and mettle FreeForm Pro. Part 2: 2D tracking in Mocha and Applying the info to the texture
Lizard Man Part 3
Transform a human into a Lizard Man in After Effects, with Imagineer Systems Mocha and mettle FreeForm Pro. Part 3: Mask out the sections of the face that the texture should not apply to.
Lizard Man Part 4
Transform a human into a Lizard Man in After Effects, with Imagineer Systems Mocha and mettle FreeForm Pro. Part 4: Learn how to key out the green background and black shirt, and remove the tracking points from the face.
Treachery: The Film
Mr. Eric D. Kirk has prepared an overview on how he put together the closing film credits for Treachery. He uses both FreeForm Pro and ShapeShifter AE.
Lizard Man Part 5
Transform a human into a Lizard Man in After Effects, with Imagineer Systems Mocha and mettle FreeForm Pro. Part 5: We learn how to create our Displacement Map.
Lizard Man Part 6
Transform a human into a Lizard Man in After Effects, with Imagineer Systems Mocha and mettle FreeForm Pro. Part 6: Creating the final Lizard Man transformation.
Version 1.5 Features: FreeForm Pro & ShapeShifter AE
Kevin Schires gives an in-depth look at all the new features found in the 1.5 Update to FreeForm Pro and ShapeShifter AE.
FreeForm Pro Version 1.5 Displacement Noise, Fog and Mist.
Klaus Brandenburg shows how to create a terrain that has water and terrain on the same layer. All possible in FreeFrom Pro Version 1.5.
2D to 3D Stereo Conversion: Mocha Pro + FreeForm Pro
Martin Brennand (Imagineer Systems) shows how to convert 2D film to stereoscopic 3D. Mocha Pro is used for the roto and clean plating, Freeform Pro is used for the extrusion. This technique works with FreeForm as well as FreeForm Pro.
Watch Tutorial
FreeForm Pro Version 1.5 Fog and Mist
Tim Harris creates a fly-through terrain with Version 1.5. He explains how he used the new Environment Features: fog and mist.
Rocket-Dees Tutorial: Intro
Dan Gies (www.e-d-films.com) gives an overview to his series on how to animate his Rocket-Dees character in After Effects. He uses FreeForm Pro, Trapcode Particular, Expressions, and the AE Puppet Tool. Project files available at www.e-d-films.com.
Rocket-Dees Tutorial: Wing Animation
Dan Gies shows us how to create a pair of 3D animated wings in After Effects using FreeForm Pro. Project files available at www.e-d-films.com.
Rocket-Dees Tutorial: Particular
Dan Gies shows us how to create the snow and the rocket pack fire and smoke, using Particular in After Effects. Project files available at www.e-d-films.com.
Rocket-Dees Tutorial: Puppet Tool & Rigging
Dan Gies goes briefly through the process of rigging the bird's body, using the Puppet Tool and Null Objects to create bones. Project files available at www.e-d-films.com.
FreeForm Pro in Japanese: Part 1
クリエイターズ ビュー/FreeForm Pro 応用編:活用例アニメーションを作成. Ran Ben Avraham (ran-mograph.blogspot.ca) created this for C-Valley Japan.
FreeForm Pro in Japanese: Part 2
クリエイターズ ビュー/FreeForm Pro:ディスプレイスメント&リフレクションマッピングについて. Ran Ben Avraham (ran-mograph.blogspot.ca) created this for C-Valley Japan.
FreeForm Pro in Japanese: Part 3
クリエイターズ ビュー/FreeForm Pro 応用編:活用例アニメーションを作成. Ran Ben Avraham (ran-mograph.blogspot.ca) created this for C-Valley Japan.
How to Create and Rig a Realistic Puppet: Overview
Dan Gies (www.e-d-films.com) gives an overview to a comprehensive tutorial series on Character Animation in After Effects, shown on aetuts+. He uses FreeForm Pro, Cycore FX, Duik Tools and native AE Tools and expressions.
Create and Rig a Realistic Puppet: Day 1
Dan Gies (www.e-d-films.com) looks at how to control the nested clips for the mouth and eyes using expression sliders applied to a Null object that acts as a character control.
Create and Rig a Realistic Puppet: Day 2
Dan Gies looks at combining puppet tool pins with null objects to make an expressive, malleable face (positioning the pins and Null objects for optimal control).
Create and Rig a Realistic Puppet: Day 3
Dan Gies looks at some techniques for further refining the puppet mesh distortions by using the starch tool and additional pins.
Create and Rig a Realistic Puppet: Day 4
Dan looks further at facial expressions controls and builds some relationships between them. Like having a smile slider affect the mouth, the jaw and the cheeks, all at the same time, without having to animate them independently.
Create and Rig a Realistic Puppet: Day 5
Dan Gies demonstrates how to apply expressions to the null objects driving the puppet pins, so that you can control the facial expressions using the sliders on the Character Controller (null object), that was built earlier.
Create and Rig a Realistic Puppet: Day 6
Dan Gies demonstrates a technique for creating a “Look At” object for the eyes so that the pupils don’t have to be animated individually. This also includes creating a slider to make the eyes go cross eyed or wall-eyed.
Create and Rig a Realistic Puppet: Day 7
Dan Gies shows how to take the character controlling null object from the head composition, and bring it into the top level character composition. You can animate everything for the character from one place.
Create and Rig a Realistic Puppet: Day 8
Dan Gies demonstrates how to take the head composition into the third dimension to make convincing head rotations, using Free Form Pro.
Create and Rig a Realistic Puppet: Day 9
Displacement maps are the theme of this video. Dan shows how they work, and gives a few examples of how to paint them, and what affect they can have on your object and its materials.
Create and Rig a Realistic Puppet: Day 10
Dan Gies shows how to apply the painted displacement map to the character’s head. He also demonstrates how to use an animated displacement map composition to create a more detailed deformable face.
Create and Rig a Realistic Puppet: Day 11
Dan Gies shows how to get the FreeForm Pro objects positioned and parented to other 3D enabled layers in After Effects.
Create and Rig a Realistic Puppet: Day 12
Dan Gies uses CC Lens and the Magnify filter to create rounded eye balls and simulate really thick lens glasses. He also shows you how to convert layer space coordinates composition space so that you can get 2D effects to follow 3D objects.
Create and Rig a Realistic Puppet: Day 13
Dan Gies shows you how to connect all of the head and face controls from a nested composition to a null object in the parent composition. This will get all of the controllable properties of your character in one place making them easier to animate.
Create and Rig a Realistic Puppet: Day 14
There are many ways to connect your character together, and the best way often depends on the style of the puppet’s joints and the clothes it wears. Dan explores the many ways to make hard and soft joints and refine them, to get the best effect.
Create and Rig a Realistic Puppet: Day 15
Making clothes react convincingly doesn’t have to be an impossible mission of frame by frame keying. Dan uses simple expressions and the puppet tool to make clothes react automatically to the characters movements.
Create and Rig a Realistic Puppet: Day 16
You can now create inverse kinematic chains for fast and intuitive character movement, similar to what you will find in high end 3D packages. You will no longer have to manually rotate each joint and fight with feet slipping and dipping into the ground.
Create and Rig a Realistic Puppet: Day 17
Dan Gies explores a few techniques that can be used to create multiple poseable hands, fingers and feet using nested compositions and sliders. This technique can be applied to simple hands without moving fingers or fully articulate hands and feet.
3D from a 2D Image
Tudor "Ted" Jelescu shows how to create 3D / 2.5D movement from a 2D image using displacement maps in AE. Tudor uses FreeForm and displacement maps to be able to have a different camera move, one that rotates around the subject.
Watch Tutorial on CreativeCOW
Sink the Shot Title Sequence
Ran Ben Avraham (ran-mograph.blogspot.ca) In this 3-part tutorial series you’ll learn how to turn your basketball court floor from solid to elastic and back to solid again using FreeForm Pro.
Watch on tuts+
3D Tunnels in AE Using FreeForm Pro: Part 1
Tudor ‘Ted’ Jelescu explores the ability of the new FreeForm Pro plugin to create organic looking 3d tunnels in AE. Whether used for a scifi shot, a medical animated illustration or another fx shot, the tunnels created using FreeForm Pro give you the ability to move around them on the outside and fly inside.
Watch on CreativeCOW
3D Tunnels in AE Using FreeForm Pro: Part 2
Part 2 of the 3D Tunnels in AE using FreeForm Pro describes a second technique for creating a straight tunnel, with more of a tech look, inspired by the movie Tron.
Watch on CreativeCOW
FreeForm Mylenium Edition: Part 1
The Mylenium Edition for FreeForm and FreeForm Pro was created by Lutz Albrecht (mylenium.de). Chris Heuer (FreeFall FX) shows how to customize these effects in minutes. You'll see: how to change the text in the file to the text, logo or shape of your choice; how to modify the effect to fit the shape of your text, logo or shape.
FreeForm Mylenium Edition: Part 2
Part 2 digs deeper into this amazing set. Chris analyzes the more complex projects in the series like the Melting Ice effect and the Flowing Lava effect. The Mylenium Edition was created by Lutz Albrecht (mylenium.de). Works in CS5+