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Archive for ‘ShapeShifter AE’

Fun Sparks Creativity

At mettle, we believe that software should be fun to use. That this leads to better and more creative work. We design our plug-ins with this in mind. So it’s a pleasure to get feedback like this:

“Hi, I’m a motion graphics artist and partner at Spark Webforge, and I just want to tell you all how much I’ve enjoyed using both FreeForm Pro and ShapeShifter AE. I would like to share with you this short animated logo montage I made for my company. Check out the mettle plug-ins at 00:44 to 01:22.”


 

“It was your Superman logo tutorial that really, really, really got me interested in learning ShapeShifter. I mean, the ability to do full 3D without the need of any external software was an absolute must-have! Not only that, it’s extremely flexible especially when working on a lower-end laptop. I use a core i5, geforce gts 360m, 4gb ram laptop to make all those logos.” :)
Cheers-Jason Richard Moll


Born in Salinas California, Jason grew up in the Philippines. He studied Communications and Arts in De La Salle University, in Manila. He gained experience in different jobs, including tech writer and SEO. After a few years he landed back in video production, something that he had done part-time in University. He didn’t have enough technical skills in post-production, so he learned After Effects on his own. (Sound familiar? See the previous posting about Mr. Eric D. Kirk.) Jason looked on-line for tutorials, and landed on the mettle website. He tried out the plug-ins and was immediately hooked. He is a partner at Spark Webforge, along with Mickey Castaño, and Mheo Soriano. They are based in the Philippines.
 

Take a look at the Superman logo tut that Jason talks about:

 


 

Thanks Jason! Keep up the great work.
 

 

A Second Career for a First Love

Mr. Eric D. Kirk recently completed work on closing credits for Treachery, a film starring Michael Biehn (Terminator, Tombstone, Abyss) under Blanc Biehn Productions. Eric used After Effects, with Mettle’s FreeForm Pro and ShapeShifter AE to get the job done.

Remarkably, this is a second career for Eric. He is fulfilling his lifelong dream of working in film, a passion that he put aside to focus on a first career with the US military.

 

 

In Eric’s own words:

“I recently had the distinct pleasure of using two of my favorite After Effects plugins (Free Form Pro and Shapeshifter) as part of a movie called “Treachery” in which I needed a snazzy look for the closing credits for the movie.

Treachery, by the producers own account is a grindhouse film starring the great Michael Biehn (Terminator, Tombstone, Abyss) under Blanc Biehn Productions. Cast included Jennifer Blanc Biehn (The Victim, and recent Director of The Night Visitor), Sarah Butler (I Spit on Your Grave), Richard Gunn, Matthew Ziff, and Caitlin Keats (Kill Bill Vol 2) to name a few.

Along with a ton of visual effects shots within the movie, the ending called for a credit scroll that was something different than the norm. Jennifer Blanc Biehn just mentioned she would like for it to include still images in the background. She was nicely surprised to see not only still images, but images that were animated to move about the screen. The credits included over 30 pictures, each of which were animated to fall in to frame in a slightly different position and subsequently then, animated out of the shot. Free Form Pro was the perfect tool for the job!

Free Form Pro allowed me to quickly and efficiently apply a unique effect that I could copy from one picture to another and then make minor adjustments to position, rotation, and mesh animation settings. No other plugin out there could have made this any easier. The Shapeshifter plugin, while only used once was actually carried through the entire shot but only animated at the very end. However, the ending leaves you with a cool, gritty image taken right from the DVD cover art producing an image with depth and elevation to conclude the credits.

These effects were easily delivered by the fine products from Mettle.

Thank you Mettle!” – Eric D. Kirk, Kirk Productions

 

Eric has kindly put together a tutorial on how to do the closing credits for Treachery.


Eric also used some mamoworld products in Treachery, and has a tutorial at mamoworld.com.

 

More About Eric

Eric is a 48 year-old military officer retiree residing in Maryland.  With an interest in cameras since high school, he collected old still cameras and wind up 8mm cameras.  One of his first films, a knock off of Mr Bill from SNL, shot on his first 8mm would never see the light of day, however his interest in film stuck with him through a 20 year Army career.  He dabbled in developing his own still photography and slides while serving an assignment in Germany in the mid 80s, before shelving things to carry on his military career.

Some 15 years later (2002), he purchased a high end standard definition Canon video camera and the bug was back.  Now, with the ease and low cost of video production, he began writing and directing small shorts and entering commercial contests.  It was the demands he set on himself to learn everything (directing, editing, audio, effects, etc) that drove him outside the editing realm and in to special effects and 3D animation.  As a result, he taught himself how to use Lightwave 3D and After Effects so that he could do everything himself, which involved a lot of tutorials and becoming acquainted with an expert in Lightwave 3D, Mr Julian Baum of Take 27 LTD

Eric D. Kirk Doritos Commercial

Eric in the driver’s seat, in a video he put together for Doritos.

 

Once in to After Effects, the resources seemed limitless. About 3 years ago he lasered in on the plugins by Mettle where he bugged Chris relentlessly on pointers for use, while watching every tutorial Nancy and others put out on the subject.

In January 2013, he provided some unsolicited animation samples via Facebook to Jennifer Blanc Biehn, of Blanc Biehn Productions.  She asked if he could do other effects such as adding window rain and darkening windows that were shot in day time (which was a very complicated task).  After showing a previous example he already had of a “dry day to dreery rainy day conversion” her response was “Dude, we need you on Treachery”. And that is how he began working on Treachery.  He has since been engaged in doing special effects for Jennifer Blanc Biehn’s Directorial Debut for “The Night Visitor”, as well as an upcoming remake of ”Hidden in the Woods” which will star Michael Biehn as its lead.

See the work that got him the job: 


 


Eric in his studio.

 

Congratulations Eric. We wish you continued success in your film-making career.

 
 

Gear Box by asART

“All I had to do was create simple shapes and animate them inside a PreComp.” – Abdy Shamloo, asART, Switzerland

 

We’re always happy to see what customers create with our products. Abdy liked working with ShapeShifter AE so much that he sent us this video with the following description:
 

“I decided to start using ShapeShifter because it’s a really fast and powerful plugin. You can create 3D text and extruded dynamic shapes directly inside AE. Creating the same animation in other 3D programs  would take much longer to complete. And it would be much more complicated to make any corrections.

With ShapeShifter I can save lots of time and do everything I want directly in AE. Just simple 2D animation stuff that everyone knows how to do and ShapeShifter will do the rest for you. The user interface is easy to understand. There are endless possibilities to create dynamic and unique animations, which can’t be done so easily and quickly in any other 3D applications that I know.

But the great products of Mettle are not the only thing you’ll get. There is also amazing support from Mettle which helps you to achieve the best results and have fun while you are using their products.

I hope you’ll like my work… Many thanks!”

 


 


 

Hardware:
CPU = Intel i975 Quad Core Extreme
RAM = 24GB DDR 3 / 2000
Graphics card = nVidia Quadro 5000 / 2.5 GB RAM
Mainboard = ASUS P6TD Deluxe
Harddisk = 4x SSD Harddisks | Write Speed = 500MB/s | Read speed = 550MB/s
Software OS: Microsoft Windows VISTA 64 bit
 

http://www.as-art.ch
https://www.facebook.com/asart.3ddesign
http://www.as-art.ch/twitter
http://www.as-art.ch/youtube
info@as-art.ch
 

Abdy Shamloo is a Swiss-based designer who enjoys creating motion graphics, visual effects and 3D models & animations. He started doing graphics with Adobe PhotoShop and Illustrator 16 years ago. In 2009 he began creating motion graphics in After Effects and modeling 3D  objects in Autodesk 3D Studio max.

 

Tutorial Series by Trevor Coates: Part 3, 4 and 5

We continue with Trevor’s great tutorial series, currently being hosted by aetuts+. We’ll see how Trevor uses ShapeShifter AE for his 3D logo design and animation in After Effects. This includes 2D filters, transitions, compositing, grading, and how to cast shadows. Thanks Trevor – awesome job!

 

Part 3: Trevor shows us how he created his 3D logo design using ShapeShifter AE + 2D filters, transitions etc. to create animated texture (color) and displacement maps.


 

Part 4: Trevor shows us how he created his 3D logo design using ShapeShifter AE. Trevor covers compositing, grading, show us some neat tricks and adds some finishing touches to this sequence.


 

Part 5: In this bonus tutorial Trevor shows us how he adds shadows to After Effects layers.


 

 

Tutorial Series by Trevor Coates: Intro and Part 2

There’s a great tutorial series from Trevor Coates, being hosted on aetuts+. In it, Trevor explains how to create and animate a 3D logo in After Effects. The logo just happens to be his version of the Superman logo, inspired by our Superman Design Challenge!

 

Introduction to the 5-Part Series

Nancy presents the intro to the tutorial series, where Trevor explains how to create his 3D Superman logo. He  walks us through his meticulous design and creative processes, where he explains the importance of research in redesigning a logo. This includes his reviews and critiques of classic Superman logos. Technically, Trevor’s comfortable working in Maya and ZBrush, but he chooses to work with ShapeShifter AE. He’s truly inspiring, and a great teacher!

 

Part 2: Modeling the Superman 3D Logo with ShapeShifter AE & Variable Feather Mask

In this tutorial Trevor shows us how he sculpted the 3D logo design using ShapeShifter AE + variable feather masks. He also uses 2D filters that ship with After Effects to create displacement maps.

 

Trevor Coates is a terrific designer, and is no stranger to working with Superheroes! He’s the owner of Leapfrog Strategic Communications, in Sydney Australia, and has plenty of experience working in film and advertising. (Including: Thor, Captain America, Mission Impossible, Voda Phone, Optus, Toyota, Lexus, Coca-Cola, Foxtel, Weldon Publishing, VW, Grand Design Australia, Hopscotch, Lionsgate) as well as interactive (Unity3D – Weldon Publishing, Toyota and GroCon). Trevor is super-talented, and works in broadcast design, 3D (includes Maya and ZBrush), motion graphics and games.

 

We think it’s great that Trevor chooses ShapeShifter AE as a worktool. Thanks Trevor. :)